Costa de Luz Portugal
En Plein Air
I try to get outside as much as possible. Short
half to one hour long sessions can produce amazing results. More than one
picture has caught a clients eye and been sold with little or no studio touch up
work. My preferred set up is an old field easel, purpose-made back pack with a
selection of boxed sets, mainly Jaxell, Schminke half sticks and a full 100 box
Sennelier Landscape set. Why not join me one day?
I also try to make the effort of painting and
sketching whilst on holiday whenever possible. It is my opportunity to
capture that very essence of where I am and gives me time to absorb the locality
to a level few seem to bother with. Photos act is good back-up but one's
own images provide so much more. I have found taking pastels abroad
difficult - especially the full sticks - as pastels can be detected on the X-ray
screenings and look like bullets!! Invariably therefore its
watercolours, my trusty old Rembrandt set of half pans, a scroll of mixed
brushes and a collapsible water pot with string - handy for throwing into
streams etc.. I like to use both pages of my sketch books to produce a
landscape view (see above) - gives you more room but does take longer. Examples,
including those from
my sketch books are below.
In a corn field in Essex one Autumn - perfect for the Sennelier
Landscape set, a quick watercolour sketch near the restaurants in Tenerife and finally a watercolour sketch in Cortona town
square in Tuscany
Sketch
in progress
Tenerife
above & Cortona, Italy left
Copyright Trevor William
Harwood 2007-11 ~ Terms and Conditions